2008.  Of Their Knowledge in Musick: Early European Musical Encounters in Egypt and the Levant as Read within the Emerging British Public Sphere, 1687-1811
Pacific Review of Ethnomusicology 13: 1-15.

2007. Until Our Ears All Bleed: Poetics of the Grotesque in International Extreme Metal
Paper presented at Society for Ethnomusicology 2006 Conference: Music, War and Reconciliation,
October 25-28; The Ohio State University, Columbus, Ohio

2007. Fade to Black: The Catalysis of Politics and Aesthetics in Egyptian Metal
Paper presented at IASPM 2007 Conference: Boundaries, Blockades and Bridges
April 26-29; Universidad Iberoamericana, Mexico City, Mexico

2006. Prometheus Sings: Mythology, Metaphor, and Meaning in Prison Music
Paper presented at Society for Ethnomusicology 2006 Conference: Decolonizing Ethnomusicology
November 16-19; The University of Hawaii at Manoa, Honolulu, Hawaii

2005. Review of Alan Lomax: Selected Writings, 1934-1997 (New York: Routledge, 2005)
Pacific Review of Ethnomusicology 11: 1-5.

2004. The Hyper-Sama'i: Use of Hypertext for Transcription and Analysis
Paper presented at Society for Ethnomusicology 2004 Conference: Contemplating Boundaries
November 3-7; The University of Arizona, Tucson, Arizona

2004. Zakir Hussain: Interview by Benjamin J. Harbert
World Percussion & Rhythm 6 (1): 8-9.

2004. R&R for Injured Hands
Acoustic Guitar 14 (9): 84-85.

2003. Bridging the Gaps
Acoustic Guitar 14 (3): 102-103.

2003. Backward Memorization
Acoustic Guitar 13 (12): 100.

1997. Enigmatic Permutations
Chapter from Hybrid Structures: Negotiating Plural Musical Forms as a Creative Musician. B.A Music Thesis, Wesleyan University